{"id":2644,"date":"2026-09-10T14:56:42","date_gmt":"2026-09-10T12:56:42","guid":{"rendered":"https:\/\/festivalsonomundo.com\/?page_id=2644"},"modified":"2026-09-10T15:15:30","modified_gmt":"2026-09-10T13:15:30","slug":"edition-2026","status":"publish","type":"page","link":"https:\/\/festivalsonomundo.com\/index.php\/edition-2026\/","title":{"rendered":"\u00c9dition 2026"},"content":{"rendered":"\t\t
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Edito<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Horizons crois\u00e9s<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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La cinqui\u00e8me \u00e9dition du Festival Sonomundo se tiendra du jeudi 26 au samedi 28 novembre 2026<\/strong> \u00e0 la Biblioth\u00e8que musicale La Grange-Fleuret<\/strong>, \u00e0 Paris.<\/span><\/p>

\u00c0 une \u00e9poque o\u00f9 les voix et les m\u00e9moires semblent parfois davantage se heurter que s\u2019\u00e9couter, la musique demeure un espace o\u00f9 les rapprochements redeviennent possibles. C\u2019est de cette conviction qu\u2019est n\u00e9 Horizons crois\u00e9s<\/strong> : un parcours en trois \u00e9tapes – Vers le Sud, Vers le Levant <\/strong>et Vers l\u2019Est<\/strong> – qui fait circuler les \u0153uvres entre les \u00e9poques, les cultures et les imaginaires.<\/span><\/p>

Chaque soir\u00e9e r\u00e9unit patrimoine, cr\u00e9ation et culture vivante autour d\u2019une formation instrumentale singuli\u00e8re. H\u00e9ritages br\u00e9siliens et andins, m\u00e9moires du Levant et de la Perse, voix contemporaines de Pologne et d\u2019Europe de l\u2019Est : ces horizons ne sont pas juxtapos\u00e9s, mais mis en relation. Les cr\u00e9ations mondiales command\u00e9es pour cette \u00e9dition en sont le c\u0153ur battant, port\u00e9es par des interpr\u00e8tes engag\u00e9s et prolong\u00e9es par des temps de rencontre avec le public.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vers le Sud<\/b><\/span><\/h3>

Jeudi 26 novembre<\/b><\/span><\/b><\/h4>

La premi\u00e8re soir\u00e9e dessine une g\u00e9ographie du m\u00e9tissage, entre Br\u00e9sil, Finlande et P\u00e9rou. Les \u0153uvres de Heitor Villa-Lobos<\/strong> en constituent les points d\u2019ancrage : elles font dialoguer traditions populaires br\u00e9siliennes, h\u00e9ritages europ\u00e9ens et \u00e9vocations de la nature, dans une \u00e9criture o\u00f9 l\u2019identit\u00e9 se construit par le mouvement et la rencontre.<\/span><\/p>

Avec Adj\u00f6<\/em> et Changing Light<\/em> de Kaija Saariaho<\/strong>, le voyage devient int\u00e9rieur. La fl\u00fbte, la voix et la guitare explorent les seuils, les timbres et les passages entre ombre et lumi\u00e8re. Cette attention \u00e0 la mati\u00e8re sonore ouvre la voie aux trois cr\u00e9ations p\u00e9ruviennes de la soir\u00e9e.<\/span><\/p>

Dans Je vis, je meurs<\/em>\u2026, Claudia Sof\u00eda \u00c1lvarez<\/strong> s\u2019inspire de Louise Lab\u00e9 pour sonder la dualit\u00e9 des sentiments humains. Sortilegios <\/em>de Theo Tupayachi<\/strong> puise dans la langue quechua et les sonorit\u00e9s de la nature pour recr\u00e9er les atmosph\u00e8res mythiques du monde andin. Avec Light Fragments<\/em>, Juan Arroyo<\/strong> transforme des fragments de mots et des rythmes issus des oralit\u00e9s urbaines en mirages acoustiques, entre halos, pulsations et r\u00e9sonances.<\/span><\/p>

Port\u00e9 par la soprano Maya Villanueva<\/strong>, le fl\u00fbtiste Samuel Casale<\/strong> et le guitariste Omar Nicho<\/strong>, Vers le Sud<\/em><\/strong> affirme ainsi le m\u00e9tissage non comme une citation folklorique, mais comme une force de transformation et d\u2019invention.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Vers le Levant<\/b><\/span><\/h3>

Vendredi 27 novembre<\/b><\/span><\/h4>

La deuxi\u00e8me soir\u00e9e emprunte les chemins du Levant et de la Perse, l\u00e0 o\u00f9 les traditions orales, les modes anciens et les \u00e9critures contemporaines ne cessent de se r\u00e9pondre. Autour d\u2019une formation encore rare – violon, violoncelle et santour – , le programme relie des \u0153uvres patrimoniales de Komitas <\/strong>et Georges Gurdjieff<\/strong> \u00e0 plusieurs voix de la cr\u00e9ation actuelle.<\/span><\/p>

Scenes from “Enheduanna<\/em>” de Layale Chaker<\/strong> s\u2019inspire de la premi\u00e8re po\u00e9tesse dont l\u2019Histoire ait retenu le nom. Sans suivre une narration lin\u00e9aire, la pi\u00e8ce traverse des \u00e9tats de m\u00e9moire, de rituel, de fracture et de chant, et fait r\u00e9sonner dans le pr\u00e9sent les questions de l\u2019exil, de l\u2019appartenance, de la guerre et de la renaissance.<\/span><\/p>

Dans sa nouvelle \u0153uvre, Vincent Trollet<\/strong> part d\u2019une improvisation sur le Sama\u2018i Bayati<\/em>, introduite par Farnaz Modarresifar<\/strong>, pour en transformer progressivement le geste. Cordes frott\u00e9es et cordes frapp\u00e9es s\u2019entrelacent alors dans une continuit\u00e9 libre, faite de d\u00e9placements, de densifications et d\u2019effacements. Les \u0153uvres de Batya Frenklakh<\/strong>, Othman Louati<\/strong> et Sina Fallahzadeh<\/strong> prolongent ce parcours jusqu\u2019aux paysages d\u00e9sertiques de Nav\u00e2-ye-Kavir<\/em>.<\/span><\/p>

Interpr\u00e9t\u00e9 par Lucie Leker<\/strong>, Marie Ythier<\/strong> et Farnaz Modarresifar<\/strong>, Vers le Levant<\/em><\/strong> fait de la musique un passage entre m\u00e9moire collective et invention, Orient et Occident, transmission et m\u00e9tamorphose.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Vers l’Est<\/span><\/h3>

Samedi 28 novembre<\/b><\/span><\/h4>

La troisi\u00e8me soir\u00e9e ouvre un espace d\u2019\u00e9coute consacr\u00e9 aux voix f\u00e9minines de la cr\u00e9ation polonaise contemporaine. Magdalena Gorwa<\/strong>, Hanna Kulenty<\/strong> et Martyna Kosecka<\/strong> composent le c\u0153ur d\u2019un programme o\u00f9 se croisent \u00e9nergie, tension, libert\u00e9 et recherche du timbre. Rarement interpr\u00e9t\u00e9es en France, leurs \u0153uvres t\u00e9moignent d\u2019une sc\u00e8ne musicale polonaise audacieuse et profond\u00e9ment europ\u00e9enne.<\/span><\/p>

En miroir, Sonomundo fait entendre deux \u00e9critures fran\u00e7aises : Travers\u00e9e <\/em>de Florent Caron<\/strong> et une nouvelle \u0153uvre d\u2019\u00c9lisabeth Angot<\/strong>, command\u00e9e pour cette formation. Il ne s\u2019agit pas d\u2019opposer les pays ou les \u00e9coles, mais de faire dialoguer des sensibilit\u00e9s et des g\u00e9n\u00e9rations dans un m\u00eame territoire sonore.<\/span><\/p>

Au centre du programme, l\u2019accord\u00e9on est \u00e0 la fois instrument de m\u00e9moire et d\u2019avant-garde. Jonas Vozbutas<\/strong> en r\u00e9v\u00e8le les possibilit\u00e9s contemporaines aux c\u00f4t\u00e9s de Lucie Leker<\/strong> et Marie Ythier<\/strong>. Les \u0153uvres de George Enescu, B\u00e9la Bart\u00f3k, Vlad R. Baciu <\/strong>prolongent la travers\u00e9e : autant de racines europ\u00e9ennes qui nourrissent les \u00e9critures d\u2019aujourd\u2019hui.<\/span><\/p>

Avec Vers l\u2019Est<\/em><\/strong>, la musique devient un espace commun o\u00f9 les origines se r\u00e9pondent sans s\u2019effacer, et o\u00f9 le patrimoine demeure vivant parce qu\u2019il continue d\u2019inspirer la cr\u00e9ation.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Edito Horizons crois\u00e9s La cinqui\u00e8me \u00e9dition du Festival Sonomundo se tiendra du jeudi 26 au samedi 28 novembre 2026 \u00e0 la Biblioth\u00e8que musicale La Grange-Fleuret, \u00e0 Paris. \u00c0 une \u00e9poque o\u00f9 les voix et les m\u00e9moires semblent parfois davantage se heurter que s\u2019\u00e9couter, la musique demeure un espace o\u00f9 les rapprochements redeviennent possibles. C\u2019est de … <\/p>\n

Read more “\u00c9dition 2026”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_theme","meta":{"footnotes":""},"class_list":["post-2644","page","type-page","status-publish","hentry"],"yoast_head":"\n\u00c9dition 2026 - Festival SONOMUNDO<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/festivalsonomundo.com\/index.php\/edition-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c9dition 2026 - Festival SONOMUNDO\" \/>\n<meta property=\"og:description\" content=\"Edito Horizons crois\u00e9s La cinqui\u00e8me \u00e9dition du Festival Sonomundo se tiendra du jeudi 26 au samedi 28 novembre 2026 \u00e0 la Biblioth\u00e8que musicale La Grange-Fleuret, \u00e0 Paris. \u00c0 une \u00e9poque o\u00f9 les voix et les m\u00e9moires semblent parfois davantage se heurter que s\u2019\u00e9couter, la musique demeure un espace o\u00f9 les rapprochements redeviennent possibles. 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