{"id":2662,"date":"2026-09-23T22:42:34","date_gmt":"2026-09-23T20:42:34","guid":{"rendered":"https:\/\/festivalsonomundo.com\/?page_id=2662"},"modified":"2026-09-23T22:42:50","modified_gmt":"2026-09-23T20:42:50","slug":"programme-detaille-2026","status":"publish","type":"page","link":"https:\/\/festivalsonomundo.com\/index.php\/programme-detaille-2026\/","title":{"rendered":"Programme d\u00e9taill\u00e9 2026"},"content":{"rendered":"\t\t
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Programme d\u00e9taill\u00e9 2026<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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20h00 | Vers le Sud<\/em><\/span><\/h3>
\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n
Compositeurs<\/span><\/th>\nPi\u00e8ces<\/span><\/th>\n<\/tr>\n
Heitor Villa-Lobos<\/span><\/td>\nDistribui\u00e7\u00e3o de flores<\/em><\/span><\/td>\n<\/tr>\n
Kaija Saariaho<\/span><\/td>\nAdj\u00f6<\/em><\/span><\/td>\n<\/tr>\n
Claudia Sof\u00eda \u00c1lvarez<\/span><\/td>\nJe vis, je meurs\u2026<\/em><\/span><\/td>\n<\/tr>\n
Theo Tupayachi<\/span><\/td>\nSortilegios<\/em><\/span><\/td>\n<\/tr>\n
Heitor Villa-Lobos<\/span><\/td>\n\u00c9tude no 10, op. 25<\/em><\/span><\/td>\n<\/tr>\n
Kaija Saariaho<\/span><\/td>\nChanging Light<\/em><\/span><\/td>\n<\/tr>\n
Heitor Villa-Lobos<\/span><\/td>\nBachianas Brasileiras no 5<\/em><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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Note d\u2019intention des cr\u00e9ations<\/b><\/span><\/h4>\nJe vis, je meurs\u2026<\/em> – Claudia Sof\u00eda \u00c1lvarez<\/strong><\/span>\n

La pi\u00e8ce s\u2019inspire des sonnets VIII et XII de la po\u00e9tesse de la Renaissance fran\u00e7aise Louise Lab\u00e9. Elle cherche \u00e0 capturer l\u2019essence antith\u00e9tique des deux textes, cr\u00e9ant une dichotomie entre la voix humaine, le texte et les instruments, qui dialoguent en se contredisant et en s\u2019accompagnant, en s\u2019opposant et en se compl\u00e9tant. En ce sens, elle explore la nature souvent double des sentiments humains, qui nous rend vuln\u00e9rables face aux passions et aux regrets de l\u2019\u00e2me.<\/span>\n<\/p>\n

\n(Texte de Claudia Sof\u00eda \u00c1lvarez)<\/span><\/p>\nSortilegios<\/em> – Theo Tupayachi<\/span><\/strong>\n\n

Cette \u0153uvre est de caract\u00e8re nationaliste p\u00e9ruvien, bas\u00e9e sur des textes traditionnels en langue quechua de la culture inca et des expressions onomatop\u00e9iques ; elle explore les timbres de la nature et recr\u00e9e les atmosph\u00e8res mythiques, mystiques et exotiques du monde des Andes en Am\u00e9rique du Sud.<\/span><\/p>\n

Elle est structur\u00e9e en courtes sections sous forme de miniatures.<\/span><\/p>\n

La guitare navigue entre des textures rythmiques et harmoniques tonales et atonales, en utilisant des techniques propres \u00e0 la musique traditionnelle pour guitare du P\u00e9rou, ainsi que des accordages traditionnels de la musique andine (scordatura sp\u00e9cifique). La fl\u00fbte explore principalement les timbres, en utilisant la fl\u00fbte piccolo, la fl\u00fbte en do et la fl\u00fbte grave en sol. La soprano porte les m\u00e9lodies et fait conna\u00eetre le texte en quechua.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>\n<\/em>\n<\/p>\n

\n(Texte de Theo Tupayachi)<\/span>\n<\/p>\n
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Musiciens | Vers le Sud<\/em><\/span><\/h4>\nMaya Villanueva : soprano<\/span>
\nSamuel Casale : fl\u00fbte, piccolo, et fl\u00fbte alto<\/span>
\nOmar Nicho : guitare<\/span>
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Vers le Levant<\/em><\/span><\/h3>
\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n
Compositeurs<\/span><\/th>\nPi\u00e8ces<\/span><\/th>\n<\/tr>\n
Layale Chaker<\/span><\/td>\nScenes from “Enheduanna”<\/em><\/span><\/td>\n<\/tr>\n
Komitas<\/span><\/td>\nKrounk (La Grue)<\/em><\/span><\/td>\n<\/tr>\n
Claudia Sof\u00eda \u00c1lvarez<\/span><\/td>\nJe vis, je meurs\u2026<\/em><\/span><\/td>\n<\/tr>\n
<\/span><\/td>\nPi\u00e8ce iranienne<\/span><\/td>\n<\/tr>\n
Batya Frenklakh<\/span><\/td>\nCouples I<\/em><\/span><\/td>\n<\/tr>\n
Othman Louati<\/span><\/td>\nDuets<\/em><\/span><\/td>\n<\/tr>\n
Sina Fallahzadeh<\/span><\/td>\nNav\u00e2-ye-Kavir<\/em><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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Note d\u2019intention des cr\u00e9ations<\/b><\/span><\/h4>\nScenes from “Enheduanna”<\/em> – Layale Chaker<\/strong><\/span>\n

Ce trio pour violon, violoncelle et santour s\u2019inscrit dans le prolongement du cheminement que constitue Enheduanna, un op\u00e9ra en cours de cr\u00e9ation, inspir\u00e9 par la vie d\u2019Enheduanna (Ur, 2300 av. J.-C., M\u00e9sopotamie), la premi\u00e8re po\u00e9tesse dont l\u2019Histoire ait retenu le nom. Ses hymnes portent une voix f\u00e9minine d\u2019une rare puissance dans l\u2019Antiquit\u00e9, et continuent d\u2019\u00e9clairer notre pr\u00e9sent.\nLe trio habite les m\u00eames interrogations : l\u2019exil et l\u2019appartenance, les bouleversements sociaux, le pouvoir du r\u00e9cit, les ravages de la guerre, et les forces indomptables de la nature. Plut\u00f4t que de se d\u00e9ployer comme une narration, la musique traverse des \u00e9tats de m\u00e9moire, de rituel, de fracture et de chant, o\u00f9 les paysages anciens et contemporains se confondent en un seul instant fugitif.\nAu c\u0153ur de cette pi\u00e8ce se trouve une exp\u00e9rience d\u2019utopie : une r\u00e9invention du monde. Enracin\u00e9e dans les r\u00e9cits anciens et pressants de l\u2019effondrement et de la renaissance, elle interroge ce que signifie \u00e9couter \u00e0 travers le temps, \u00e9lever des voix hors des ombres de l\u2019ancien monde, et imaginer, ne serait-ce qu\u2019un instant, une r\u00e9alit\u00e9 transform\u00e9e.\n<\/em>\n<\/span>\n<\/p>\n

\n(Texte de Layale Chaker)<\/span>\n<\/p>\n
\n

Musiciens | Vers le Levant<\/em><\/span><\/h4>\nLucie Leker : violon<\/span>
\nMarie Ythier : violoncelle<\/span>
\nFarnaz Modarresifar : santour<\/span>
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Vers l’Est<\/em><\/span><\/h3>
\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n
Compositeurs<\/span><\/th>\nPi\u00e8ces<\/span><\/th>\n<\/tr>\n
George Enescu<\/span><\/td>\nImpressions d\u2019enfance, op. 28 : \u00ab M\u00e9n\u00e9trier \u00bb<\/em><\/span><\/td>\n<\/tr>\n
Magdalena Gorwa<\/span><\/td>\nSOLissimo<\/em><\/span><\/td>\n<\/tr>\n
Zolt\u00e1n Kod\u00e1ly<\/span><\/td>\n1er mouvement du duo, Op. 7<\/em><\/span><\/td>\n<\/tr>\n
Martyna Kosecka<\/span><\/td>\nCharakt\u00edras<\/em><\/span><\/td>\n<\/tr>\n
B\u00e9la Bart\u00f3k<\/span><\/td>\nDanses populaires roumaines<\/em><\/span><\/td>\n<\/tr>\n
\u00c9lisabeth Angot<\/span><\/td>\nNouvelle Oeuvre<\/span><\/td>\n<\/tr>\n
Florent Caron<\/span><\/td>\nTravers\u00e9e<\/em><\/span><\/td>\n<\/tr>\n
Vlad R. Baciu<\/span><\/td>\nHeart, Will, Knowledge<\/em><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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Note d\u2019intention des cr\u00e9ations<\/b><\/span><\/h4>\nNouvelle \u0153uvre – \u00c9lisabeth Angot<\/strong><\/span>\n

\nJe suis tr\u00e8s heureuse de collaborer \u00e0 nouveau avec l\u2019Ensemble Regards, qui m\u2019avait pass\u00e9 une premi\u00e8re commande en 2020, N28 pour clarinette et marimba, \u0153uvre depuis \u00e9dit\u00e9e et reprise par plusieurs ensembles. Je trouve tr\u00e8s stimulante la formation en trio violon, violoncelle et accord\u00e9on propos\u00e9e par le Festival Sonomundo. Cela fait un moment en effet que j\u2019ai le d\u00e9sir de composer pour accord\u00e9on ; associ\u00e9 \u00e0 ces deux instruments \u00e0 cordes, cela rend possible une texture riche et des timbres qui peuvent se m\u00ealer et fusionner, ce qui m\u2019int\u00e9resse particuli\u00e8rement. J\u2019aurai \u00e9galement un grand plaisir \u00e0 collaborer avec les interpr\u00e8tes de l\u2019Ensemble Regards, profond\u00e9ment engag\u00e9s \u00e0 d\u00e9fendre les musiques de cr\u00e9ation et v\u00e9ritablement inspirants par leur exigence et leur implication artistique.\n<\/em>\n<\/span>\n<\/p>\n

\n(Texte d\u2019\u00c9lisabeth Angot)<\/span>\n<\/p>\n
\n

Musiciens | Vers le Levant<\/em><\/span><\/h4>\nLucie Leker : violon<\/span>
\nMarie Ythier : violoncelle<\/span>
\nJonas Vozbutas : accord\u00e9on<\/span>
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Programme d\u00e9taill\u00e9 2026 Jeudi 26 novembre 20h00 | Vers le Sud Compositeurs Pi\u00e8ces Heitor Villa-Lobos Distribui\u00e7\u00e3o de flores Kaija Saariaho Adj\u00f6 Claudia Sof\u00eda \u00c1lvarez Je vis, je meurs\u2026 Theo Tupayachi Sortilegios Heitor Villa-Lobos \u00c9tude no 10, op. 25 Kaija Saariaho Changing Light Heitor Villa-Lobos Bachianas Brasileiras no 5 Note d\u2019intention des cr\u00e9ations Je vis, je … <\/p>\n

Read more “Programme d\u00e9taill\u00e9 2026”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_theme","meta":{"footnotes":""},"class_list":["post-2662","page","type-page","status-publish","hentry"],"yoast_head":"\nProgramme d\u00e9taill\u00e9 2026 - Festival SONOMUNDO<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/festivalsonomundo.com\/index.php\/programme-detaille-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Programme d\u00e9taill\u00e9 2026 - Festival SONOMUNDO\" \/>\n<meta property=\"og:description\" content=\"Programme d\u00e9taill\u00e9 2026 Jeudi 26 novembre 20h00 | Vers le Sud Compositeurs Pi\u00e8ces Heitor Villa-Lobos Distribui\u00e7\u00e3o de flores Kaija Saariaho Adj\u00f6 Claudia Sof\u00eda \u00c1lvarez Je vis, je meurs\u2026 Theo Tupayachi Sortilegios Heitor Villa-Lobos \u00c9tude no 10, op. 25 Kaija Saariaho Changing Light Heitor Villa-Lobos Bachianas Brasileiras no 5 Note d\u2019intention des cr\u00e9ations Je vis, je … Read more "Programme d\u00e9taill\u00e9 2026"\" \/>\n<meta property=\"og:url\" content=\"https:\/\/festivalsonomundo.com\/index.php\/programme-detaille-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"Festival SONOMUNDO\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/m.facebook.com\/p\/Festival-Sonomundo-100087265804317\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-23T20:42:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/festivalsonomundo.com\/wp-content\/uploads\/2022\/10\/cropped-BAT_SONOMUNDO_LOGO_OK.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2025\" \/>\n\t<meta property=\"og:image:height\" content=\"745\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/festivalsonomundo.com\/index.php\/programme-detaille-2026\/\",\"url\":\"https:\/\/festivalsonomundo.com\/index.php\/programme-detaille-2026\/\",\"name\":\"Programme d\u00e9taill\u00e9 2026 - 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