{"id":9,"date":"2022-07-26T14:18:39","date_gmt":"2022-07-26T12:18:39","guid":{"rendered":"http:\/\/festivalsonomundo.com\/?page_id=9"},"modified":"2025-10-07T13:38:47","modified_gmt":"2025-10-07T11:38:47","slug":"programmation","status":"publish","type":"page","link":"https:\/\/festivalsonomundo.com\/index.php\/editions-passees\/edition-2022\/programmation\/","title":{"rendered":"Programmation 2022"},"content":{"rendered":"\n
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<\/div>\n\n\n\n

Programme du festival SONOMUNDO<\/strong>
25 > 27 novembre 2022
Auditorium de la Cit\u00e9 internationale des Arts<\/p>\n\n\n\n

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vendredi 25 novembre<\/strong> 20h > 21h30<\/h2>\n\n\n\n

Le concert d\u00e9butera par une pr\u00e9sentation du festival SONOMUNDO.<\/strong><\/p>\n\n\n\n

Ensemble Regards<\/h2>\n<\/div>\n\n\n\n
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Chiaroscuro<\/strong><\/em><\/p>\n<\/div>\n\n\n\n

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Chiaroscuro<\/em>, c’est une carte blanche au compositeur Juan Arroyo<\/strong>. Ce programme fait \u00e9cho au travail de la plasticienne Nathalie Bourdreux sur la th\u00e9matique des natures mortes.<\/p>\n\n\n\n

Juan Arroyo et Nathalie Bourdreux ont tous deux \u00e9t\u00e9 pensionnaires \u00e0 la Casa Velasquez en 2016\/2017. La rencontre du compositeur avec l’image sombre des Danzas macabras<\/em> de la plasticienne lui inspire une nouvelle cr\u00e9ation, And the Darkness dances<\/strong><\/em>.
S\u2019amusant malgr\u00e9 la fatalit\u00e9, les deux danseuses du tableau de Nathalie Bourdreux nous rappellent que, comme au temps de la peste, la mort danse pour tout le monde.<\/p>\n\n\n\n

Avec son chant tentateur, ses rythmes entrecoup\u00e9s et sa forme musicale, cette \u0153uvre – imagin\u00e9e pour un duo violon-violoncelle<\/strong>, r\u00e9sonnent, telle une r\u00e9ponse \u00e0 notre espace de repr\u00e9sentation, en tentant de faire entendre une autre voix.<\/p>\n<\/div>\n\n\n\n

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Ce d\u00e9sir d\u2019ouvrir \u00e0 la pluralit\u00e9 de regards, consid\u00e9r\u00e9 comme essentiel par Juan Arroyo l\u2019a incit\u00e9 \u00e0 inviter d\u2019autres compositeurs \u00e0 participer au programme de ce concert.<\/p>\n\n\n\n

Une jeune compositrice et un jeune compositeur, tous deux natifs de Lima – P\u00eda Alvarado<\/strong> (n\u00e9e en 1996) et Reynaldo Pizarro<\/strong> (n\u00e9 en 1996) – ont compos\u00e9 de nouvelles \u0153uvres suite \u00e0 cette invitation. <\/p>\n\n\n\n

Quant \u00e0 Vincent Trollet<\/strong>, qui partage avec Juan Arroyo ce m\u00eame cheminement pluridisciplinaire et la volont\u00e9 de construire un dialogue culturel, c\u2019est son trio \u00e0 cordes<\/strong> Trois commencements<\/em> que l\u2019ensemble Regards a choisi pour ce concert.<\/p>\n<\/div>\n<\/div>\n\n\n\n

Compositeur<\/strong><\/th>Titre de l’oeuvre<\/strong><\/th>Instrumentation<\/strong><\/th>Musiciens<\/strong><\/th><\/tr><\/thead>
Juan Arroyo<\/td>Paralelo<\/em> **<\/td>violon<\/td>Pauline Klaus<\/td><\/tr>
Reynaldo Pizarro<\/td>Douze phares, une mer<\/em> *<\/td>violon & violoncelle<\/td>Pauline Klaus  et Marie Ythier<\/td><\/tr>
P\u00eda Alvarado<\/td>Animal Lunar<\/em> *<\/td>alto<\/td>Elodie Gaudet<\/td><\/tr>
Juan Arroyo<\/td>And the Darkness dances<\/em><\/td>violon & violoncelle<\/td>Pauline Klaus  et Marie Ythier<\/td><\/tr>
Vincent Trollet<\/td>Trois commencements<\/em><\/td>violon, alto & violoncelle<\/td>Pauline Klaus, Elodie Gaudet et Marie Ythier<\/td><\/tr>
Juan Arroyo<\/td>Quipus<\/em> **<\/td>2 violons, alto et violoncelle<\/td>Pauline Klaus, Florent Billy, Elodie Gaudet et Marie Ythier<\/td><\/tr><\/tbody><\/table>
*Cr\u00e9ation mondiale
** Cr\u00e9ation parisienne
<\/figcaption><\/figure>\n\n\n\n
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samedi 26 novembre<\/strong> 20h > 21h<\/h2>\n\n\n\n

\u00c0 19h, une discussion autour de l’\u0153uvre de la lign\u00e9e des Valc\u00e1rcel<\/em> pr\u00e9c\u00e9dera le concert<\/em><\/strong>. Cet \u00e9change r\u00e9unira les compositeurs Fernando Valc\u00e1rcel et Juan Arroyo ainsi que le journaliste musical David Christoffel<\/em><\/strong> (M\u00e9taclassique).<\/p>\n\n\n\n

Ensemble Regards<\/h2>\n<\/div>\n\n\n\n
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Trueno<\/em><\/strong><\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Fernando Valc\u00e1rcel<\/strong> (n\u00e9 en 1972) est un compositeur p\u00e9ruvien associ\u00e9 \u00e0 l\u2019ensemble Regards<\/strong> depuis 2020. L\u2019ensemble Regards a tenu \u00e0 lui commander une nouvelle pi\u00e8ce pour ensemble, Homenaje<\/em>, qui sera cr\u00e9\u00e9e \u00e0 l\u2019occasion du festival Sonomundo.<\/p>\n\n\n\n

Le second compositeur \u00e0 l\u2019honneur en cette seconde soir\u00e9e sera Juli\u00e1n Carrillo<\/strong>.<\/p>\n\n\n\n

Passionnante dans sa dimension sonore et r\u00e9solument avant-gardiste; myst\u00e9rieuse et hypnotique, la musique de Juli\u00e1n Carrillo (1875-1965) ne rompt pas compl\u00e8tement avec le mouvement post romantique.<\/strong> Elle en conserve l\u2019expression des r\u00e9sonances tonales. Preludio a Colon<\/em>, \u0153uvre phare compos\u00e9e en 1925, sera au programme de ce concert.<\/p>\n<\/div>\n\n\n\n

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Le troisi\u00e8me compositeur de ce programme, Vincent Trollet<\/strong> (n\u00e9 en 1978), est tr\u00e8s sensible aux id\u00e9es quasi proph\u00e9tiques pr\u00e9sentes dans
\u00ab Sonido 13 \u00bb, un corpus th\u00e9orique con\u00e7u par Juli\u00e1n Carrillo, dans lequel il rompt avec la traditionnelle \u00e9chelle chromatique des 12 sons pour explorer une pansonorit\u00e9. La lecture des \u00e9crits de Juli\u00e1n Carrillo am\u00e8ne Vincent Trollet \u00e0 poser un regard r\u00e9trospectif, en s\u2019interrogeant sur leur r\u00e9sonance contemporaine. C’est le point de d\u00e9part \u00e0 la composition d\u2019une nouvelle \u0153uvre pour quatuor \u00e0 cordes, Looming<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

Compositeur<\/strong><\/th>Titre de l’oeuvre<\/strong><\/th>Instrumentation<\/strong><\/th>Musiciens<\/strong><\/th><\/tr><\/thead>
Fernando Valc\u00e1rcel<\/td>Homenaje<\/em> *<\/td>violoncelle seul<\/td>Myrtille Hetzel<\/td><\/tr>
Juli\u00e1n Carrillo<\/td>Preludio a Colon<\/em><\/td>soprano, fl\u00fbte, 2 violons, alto, violoncelle, harpe, guitare<\/td>Maya Villanueva, Samuel Casale, Pauline Klaus, Florent Billy, Elodie Gaudet, Myrtille Hetzel, Constance Luzzati et Sergio Santiago<\/td><\/tr>
Fernando Valc\u00e1rcel<\/td>Trueno<\/em><\/td>soprano, hautbois, 1 violon, alto, violoncelle, harpe<\/td>Maya Villanueva, Sylvain Devaux, Pauline Klaus, Elodie Gaudet, Myrtille Hetzel et Constance Luzzati<\/td><\/tr>
Vincent Trollet<\/td>Looming<\/em> *<\/td>2 violons, alto, violoncelle<\/td>Pauline Klaus, Florent Billy , Elodie Gaudet, Myrtille Hetzel<\/td><\/tr>
Fernando Valc\u00e1rcel<\/td>Poema en blanco <\/em>*<\/td>soprano, 2 violons, alto, violoncelle<\/td>Maya Villanueva, Pauline Klaus, Florent Billy, Elodie Gaudet, Myrtille Hetzel<\/td><\/tr><\/tbody><\/table>
* Cr\u00e9ation mondiale<\/figcaption><\/figure>\n\n\n\n
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dimanche 27 novembre <\/strong>18h > 20h<\/h2>\n\n\n\n

La soir\u00e9e d\u00e9butera avec la projection du court-m\u00e9trage pr\u00e9sentant la lign\u00e9e des Valc\u00e1rcel, r\u00e9alis\u00e9 par Veronica Valc\u00e1rcel<\/em><\/strong>. A l\u2019issue de cette projection, Fernando Valc\u00e1rcel nous pr\u00e9sentera ce qu\u2019est le Yarav\u00ed, cette fascinante forme musicale issue des indiens Quechuas.<\/em><\/strong><\/p>\n\n\n\n

Maya Villanueva
et Fernando Valc\u00e1rcel<\/h2>\n<\/div>\n<\/div>\n\n\n\n
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Yaravi<\/em><\/strong><\/p>\n<\/div>\n\n\n\n

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Dans un programme pour voix et piano<\/strong> intitul\u00e9 Yaravi<\/em>, Maya Villanueva<\/strong>, chanteuse franco-p\u00e9ruvienne et Fernando Valc\u00e1rcel <\/strong>mettront en lumi\u00e8re une lign\u00e9e de compositeurs p\u00e9ruviens, les Valc\u00e1rcel<\/strong>. Ils interpr\u00e9teront des m\u00e9lodies compos\u00e9es par diff\u00e9rents membres de cette dynastie musicale : Teodoro, Edgar et Fernando Valc\u00e1rcel<\/strong>. A travers ce floril\u00e8ge de m\u00e9lodies m\u00e9connues en France, le public effectuera un voyage musical \u00e0 travers le P\u00e9rou<\/strong>, pays myst\u00e9rieux et fascinant.<\/p>\n<\/div>\n\n\n\n

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Des \u0153uvres des compositeurs fran\u00e7ais Claude Debussy, Olivier Messiaen et Vincent Trollet seront \u00e9galement interpr\u00e9t\u00e9es durant cette soir\u00e9e.<\/p>\n\n\n\n

Par ailleurs, d\u00e9sireuse d’inscrire les compositeurs dans la cr\u00e9ation musicale d\u2019aujourd\u2019hui, l’association Sonomundo a command\u00e9 une nouvelle \u0153uvre au compositeur p\u00e9ruvien : Harawi<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

Compositeur<\/strong><\/th>Titre de l’oeuvre<\/strong><\/th>Instrumentation<\/strong><\/th>Musiciens<\/strong><\/th><\/tr><\/thead>
Claude Debusssy<\/td>Nuit d\u2019\u00e9toiles<\/em>
(po\u00e8me de Th\u00e9odore de Banville)<\/td>		soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Olivier Messiaen<\/td>Amour, oiseau d\u2019\u00e9toile<\/em>
(Harawi<\/em>)<\/td>		soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Teodoro Valc\u00e1rcel<\/td>Suray Surita<\/em><\/td>soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Claude Debusssy<\/td>Romance<\/em>
(po\u00e8me de Paul Bourget)<\/td>		soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Edgar Valc\u00e1rcel<\/td>Homenaje a Mas\u00edas<\/em>
(Imillita et Amaneciend)<\/td>		soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Claude Debusssy<\/td>Beau soir<\/em>
(po\u00e8me de Paul Bourget)<\/td>		soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Vincent Trollet<\/td>Lotophages III<\/em><\/td>soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Teodoro Valc\u00e1rcel<\/td>Chililin-Uth\u2019aja<\/em><\/td>soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Olivier Messiaen<\/td>L\u2019amour de Piroutcha<\/em>
(Harawi<\/em>)<\/td>		soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Teodoro Valc\u00e1rcel<\/td>Tungu Tungu<\/em><\/td>soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Olivier Messiaen<\/td>Doundou Tchil<\/em>
(Harawi<\/em>)<\/td>		soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr>
Fernando Valc\u00e1rcel<\/td>Harawi<\/em><\/td>soprano et piano<\/td>Maya Villanueva et Fernando Valc\u00e1rcel<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Programme du festival SONOMUNDO25 > 27 novembre 2022Auditorium de la Cit\u00e9 internationale des Arts vendredi 25 novembre 20h > 21h30 Le concert d\u00e9butera par une pr\u00e9sentation du festival SONOMUNDO. Ensemble Regards Chiaroscuro Chiaroscuro, c’est une carte blanche au compositeur Juan Arroyo. Ce programme fait \u00e9cho au travail de la plasticienne Nathalie Bourdreux sur la th\u00e9matique … <\/p>\n

Read more “Programmation 2022”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":230,"parent":807,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width-no-title.php","meta":{"footnotes":""},"class_list":["post-9","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nProgrammation 2022 - Festival SONOMUNDO<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Programmation 2022 - Festival SONOMUNDO\" \/>\n<meta property=\"og:description\" content=\"Programme du festival SONOMUNDO25 > 27 novembre 2022Auditorium de la Cit\u00e9 internationale des Arts vendredi 25 novembre 20h > 21h30 Le concert d\u00e9butera par une pr\u00e9sentation du festival SONOMUNDO. 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